Brilliant Bechdel!

Well, after seeing another film a few day ago ('Lucy'), it particularly made me think about the Bechdel Test. Named after Allison Bechdel, a cartoonist who came in at number 4 in Rolling Stone's recent list of best non-superhero cartoons; someone who was interested in feminism and gender politics - and good storytelling. And I thought it was about time I did a slightly intellectual post, after the last one.

So, now you know who Ms Bechdel is, what is her test? It was a piece from her book 'Dykes To Watch Out For', and it's a simple thing to see how female friendly a piece of entertainment is; mainly applied to films, it asks 3 questions. Is there more than one named female character? Do they speak to each other? About something other than a man? Which seems simple enough. But it's amazing how many films don't match up. By the way, by 'female friendly' I don't mean whether women might enjoy it; but rather, how positive an image of women does it promote.
                                                                 

Just think for a moment about the last couple of films you saw, and ask these questions. How does it stack up? The last couple of films I saw just about pass - I say 'just about' because both of them had minimal female characters. GOTG had 3 that I remember, and Lucy had 2 - unless you count her mum, who 'appears' once in a phone call. And these are films that actually pass. Quite a lot don't. The Avengers doesn't, for instance - although there are 3 strong named female characters (only one a superhero), they don't ever speak to each other, even when they share screen time.

But as this article acknowledges, the test isn't perfect - it has flaws. At least two that I can think of. One is that it's posssible to pass with literally a couple of lines of dialogue; and the other, just the opposite. That, as The Avengers shows, it is possible to have strong female characters and still fail. And there's also the point that dialogue doesn't reflect conversation - we generally are only shown what we need to see to follow the story. Which is why pretty much all rom-coms would probably fail. It would be a pretty bad rom-com where female characters didn't talk about the male character; though it could be possible.

However, I think the main point isn't that if a film fails this test, then it's not female friendly, not promoting a positive image of women; but rather, just that so many fail. It seems a pretty simple enough test; so, why do so many fail? What does that say about society? About us? And what can be done about it?